Left alone onstage again, Iago explains his actions to the audience in a soliloquy. Similarly, once the physical threat that the Turks pose has been eliminated, the more psychological, less tangible threat posed by inner demons assumes dramatic precedence. The play extinguishes the external threat with almost ridiculous speed.
It is as though one kind of play ends at the end of Act II, scene ii, and another begins: what seemed to be a political tragedy becomes a domestic tragedy.
The effect is almost cinematic—like a long and gradual close-up that restricts the visible space around the tragic hero, emphasizing his metaphorical blindness and symbolizing his imprisonment in his own jealous fantasies.
However, Desdemona does not suggest that she has any interest in cheating on her husband. Although Iago verbally abuses women in this scene—presumably because it is safe for him to do so—his real resentment seems to be against those characters who have a higher social class than he has, including Cassio and Desdemona.
At the same time, his statements about what motivates him are hazy and confusing. He even throws in a bizarre parenthetical suspicion that Cassio might also have slept with his wife II.
He fires Cassio. He demands Roderigo be found and punished. What is Cassio most upset about? He has lost his reputation. He has lost his best friend.
He must go back to Verona. That he loves Cassio. That he and Cassio are close friends. That Cassio thinks they're friends, but they're not. What advice does Iago give Cassio? Ask Emilia to help him get his position back. Ask Desdemona to talk to Othello to get his position reinstated. To get money and meet Iago later for more details.
While Desdemona attempts to help Cassio, what does Iago plan to do? Speak on Cassio's behalf. Desdemona's first question is for news of Othello. The two pass the time, waiting for news, and Iago watches, planning to catch Cassio in his own courtesies.
Othello finally arrives, triumphant, and he, Desdemona, and the others go into the fortress. Iago stays behind to tell Roderigo that Desdemona is in love with Cassio and convince him to pick a fight with Cassio to cause mutiny and have him removed.
Iago, in his second soliloquy, speaks again of his hatred for Othello. The details are not yet clear, but Iago plans to drive Othello mad. An undefined length of time has elapsed since the scenes in Act I, during which Othello has set sail for Cyprus in one ship, Cassio in another, and Iago, Emilia, and Desdemona in a third.
The ships arrive one by one, allowing the arriving members to talk about Othello while waiting for his arrival. Cassio describes to Montano Othello's new wife, Desdemona, with respect and a little awe as "our great captain's captain" Desdemona, Emilia, and Iago play word games, which show Iago's cynical view of women: ".
That is, women are models of propriety when they go out, sweet conversationalists with guests, and angry spitfires to their servants. They claim to always be the injured party, fly into a rage at an adverse comment and are idle in matters of housework and penny-pinching with their sexual favors. He's certainly describing himself. Desdemona is a character in Shakespeare's Othello. Iago asks if Othello can trust Cassio, and Othello seems perplexed by the question.
Sell everything and they will eventually break up Othello and Desdemona and he Roderigo will be the rebound man. Summary: Act II, scene i.
Act 2, scene 1 1 Describe Iago's views of women as he expresses them to Desdemona in Scene 1 lines Bianca suspects that it was given to him by a new lover, but he tells her that he simply thinks it is pretty, and he knows that he will have to give the original back to its owner eventually.
Othello probes deeper, asking Iago to reveal anything he has not yet said. Why is Cassio a particularly handy scapegoat for Iago's plot? What imagery does Iago use to describe Othello and Desdemona's elopement, and what conflict does that imagery develop?
For what two reasons does the herald proclaim a night of feasting, Who does Othello leave in charge of the night watch. Latest answer posted January 30, at AM. The Cypriots are waiting to hear the result of the sea battle. Cassio beats him off, but Iago secretly wounds him from behind. Much like the clown, who speaks on a separate layer from the other characters, Othello and Desdemona are speaking past one another, although the stakes are now much higher.
Does Iago succeed in getting Cass into a quarrelsome state? Other characters as describe Desdemona often as "divine. She does not shy away from her fear and bids for Othello to do the sensible thing and ask Cassio how he obtained her handkerchief. Unfortunately for Cassio, Iago, twisted with jealousy and hate, will use Cassio's innocent, exuberant, and open-hearted affection for Desdemona against him, by twisting it into a sordid affair going on behind Othello's back.
What reason does Iago give for his hatred of Othello? Where is Act 2 set? Iago tells Roderigo 'I follow him to serve my turn upon him'. Our summaries and analyses are written by experts, and your questions are answered by real teachers.
The violence is evident also mostly in the last scene; the death of Roderigo, Desdemona, Emilia and Othello and the wounding of Cassio and Iago. Desdemona leaves with Emilia and tells Cassio that she will speak to her husband when his spirits are up. Cassio asks Emilia to arrange a one-on-one meeting between him and Desdemona. Othello vows revenge, promotes Iago to lieutenant, and asks him to kill Cassio. Therefore, Act 5 Scene 2 ends in the murder of Desdemona and the harsh satire sets in further when Othello only discovers after what the audience had known all along.
Lee Jamieson. How does Shakespeare create tension and confusion in Act 1, Scene 1 in Othello? By the standards of Shakespeare's day, what are the meanings of fair and black, Cassio is very gentleman like with Desdemona. Iago agrees to send her and to distract Othello so that he can meet with Desdemona. Iago simply says that Cassio is an honest man and that people should be what they appear to be. Othello insists that his wife produce the handkerchief that he gave her as a sign of affection, but she continues to advocate for Cassio, eventually ignoring his demands altogether.
Iago suggests that Othello watch when Cassio and Desdemona are together, and he reminds Othello that Desdemona lied in order to marry Othello in the first place. The following is a summary of part two. The scene shows that Othello is now occupied, which allows the next scene to take shape. The handkerchief itself is highly symbolic, and it is understandable that Othello would not want Desdemona to lose it. While the handkerchief was in her possession, Desdemona was in charge of her virtue.
In Act 2, scene 1, Iago's comment that Othello and Desdemona "are well tuned" is a metaphor of harmonic music in which he uses to indicate the current harmony of Othello's marriage. Cassio returns, already drinking, with Montano and his attendants. He continues with similar wordplay in scene 3 when speaking to Desdemona, playing with the homonym of lie to recline and lie to tell falsities.
Shakespeare shifts the action from Venice to Cyprus. Scene 2 is relatively short. Pontification is a manipulative technique in which the speaker is "to assume pompous and dignified airs", saying their arguments in a connected way. Cassio especially expresses his loyalty and love for.
Cassio adds that Roderigo revived long enough to tell that Iago was the one who killed him. What "ocular proof" will thus be provided? Latest answer posted November 29, at PM. Act 2 Scene Start studying Othello Act 2. Emilia suggests that Othello may actually be the jealous type.
The incompatibility of military heroism and love; the danger of isolation- Othello is the perfect soldier, but his directness means he is unable to understand the subtleties of political life and affairs of the heart.
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