They are a nice match for the mineral glass Nuances range of filters and are available in all three current sizes. The medium-size P series are by far the most popular. At 85mm they cover the most common lens sizes. Some larger telephoto lenses will require either the Large size mm Z series or Xtra Large size X series which takes you up to mm wide. You can read all about the Cokin Creative Filter System below.
Filters Filter by brand Cokin Kood 7. Filter by filter size mm 1 Additional Filters Show in stock items only Show new items only. Featured Products. Grid List. Page: 1 2 3 Next. In stock. Good Stock. Limited Stock. No stock on site. Please allow 10 days for delivery. Cokin X-Pro 67mm TH0. Please allow 20 days for delivery. Cokin X-Pro 72mm TH0. Cokin X-Pro 82mm TH0. Step 4: Select your Filter Adapter Rings. Just select the L Series 82mm filter adapter ring.
Step 5: The Filters. Circular Polarizer — This filter darkens the blue sky making the white puffy clouds stand out. It does this by filtering out polarized light. This also has the effect of taking the sheen off of water and it can greatly reduce the reflections from glass. ND Neutral Density — This filter is like a pair of sunglasses for your camera. It reduces the amount of light entering your camera lens by a measured amount so you can use slower shutter speeds for blurred motion effects or wider apertures to focus more attention on your subject.
ND filters are neutral, so they have no effect on the color of your photos. Graduated ND — Available in several grades these filters are half clear and half neutral density. They are rectangular so the transition between clear and ND can be moved around to suit your composition. Even if post-processing is part of the workflow, we believe that using a filter is a mean to express creativity in the moment. Placing a filter in front of a lens takes no more than 3 seconds.
The outcome is immediate, and you can share it without having to spend hours of post-processing. Photography happens while shooting, not sitting behind a computer. The filter holder system can be attached and removed in 3 simple steps. It supports multiple diameter adaptor rings for use with several lenses and offers great flexibility.
The wide array of available filters opens a world where the only limit is your imagination. The first step is to choose the size of your filter holder system depending essentially on your camera body and lenses. You can have a 'hard edge' where the transition is a solid line across the middle or a 'soft edge' where the transition from clear to dark is gradual.
The reason for these filters is that you can balance the light across a scene to record more detail when the dynamic range would ordinarily be too great for the camera to record in a single exposure.
For example, you may have a landscape where the sky is bright and the foreground relatively dark. If you expose the foreground correctly then this may result in the sky being 'blown out' with no detail recorded and just a mass of white sky. By using a GND, you could position the dark portion over the sky with the transition to clear falling over the horizon.
This will reduce the brightness of the sky so that it more closely matches the foreground and can be recorded in a single exposure. It is of course possible to take two photographs with different exposures and then blend them during post production but this can be time consuming and I personally feel it is more satisfying to get the image right at the time of taking the photograph.
Linear polarisers are cheaper to manufacture but they can affect a camera's metering so circular polarisers are a more popular option. Both types are used for the same two puroses: to increase saturation of colours, specifically blue skies and green foliage in a landscape, and to cut reflections from non-metallic surfaces such as glass and water. If you are shooting a lake or river then a polariser would mean you can shoot through the surface of the water and see beneath the water.
If you were shooting interiors or architecture then a polariser would allow you to shoot through glass windows and tables. A photographer may be wanting to shoot the exterior of a shop's display and the polariser would allow them to do so by removing the reflections of the street outside and indeed the photographer himself from appearing on the glass of the window.
This is an effect that can't be replicated through software. As mentioned above, the main advantage of this system over screw-in filters is the ability to use the same set of filters with more than one lens size. If we take the P series as an example then there are two common types of holder, the regular holder and the wide-angle holder.
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